Superman’s Pal Jimmy Olsen #1

UncategorizedLeave a Comment

Sept.-Oct. 1954
Editor: Mort Weisinger
Cover: Curt Swan (Pencils), Stan Kaye (Inks)

image

The character of Jimmy Olsen, cub reporter at the Daily Planet, originated on the radio show The Adventures of Superman in 1940. Superman’s creators Jerry Siegel and Joe Shuster brought the character to comics in 1941, fleshing out his personality and physical appearance, but after using Jimmy in a handful of stories, they dropped him.

In late 1953, while Jack Larson was playing the character on The Adventures of Superman television show, the character was revived in the comics after a 10-year absence, and shortly thereafter given his own book. This tie-in to the TV show was emphasized in the very first panel of the comic—”You’ve seen him on television”— as well as the house ads promoting the new title.

Clearly, DC felt confidant in the association with the show and assigned Superman’s top creative team to the project. Writer Otto Binder would go on to introduce key elements of the Superman legend—Supergirl, Krypto the Superdog, The Legion of Superheroes, and many others. Artist Curt Swan would come to define Superman and related characters for the next three decades. 

image
image

1. The Boy of 100 Faces!

Script: Otto Binder
Pencils: Curt Swan
Inks: Ray Burnley

In this story we get to see Jimmy use his 100 disguises. And by 100 they actually mean two. Dressing up as a ice cream vendor and a brush salesman doesn’t even require Superman’s pal to use any of the mustaches, wigs, or makeup shown on the cover. Typical comic book bait-and-switch. 

This story introduces Jimmy’s “Superman Signal Watch”, a device used by the character to call for help. The last story in the comic also introduces the first in a series of excuses why the signal device can’t reach Superman—too much static to get through! Eventually there will be a short list of explanations including “Superman is too far away”, “the watch is broken”, and “Jimmy left it in his other pants.” 

image

2. Case of the Lumberjack Jinx!

Script: Otto Binder
Pencils: Curt Swan
Inks: Ray Burnley

Jimmy goes undercover as lumberjack “Jimmy Wayne” to investigate mysterious mishaps at a lumber camp. Superman puts in an appearance but Jimmy surprisingly solves the case without any super-help.

3. The Man of Steel’s Substitute!

Script: Otto Binder
Penicls: Curt Swan
Inks: Ray Burnley

When Superman is unavailable, Jimmy attempts to take his place. His valiant efforts are a dismal failure, but the fact that for a moment he seems likely to succeed, stretches credibility way past the breaking point. Consider that part of his plan involves projecting a movie of Superman onto a cliff outdoors in broad daylight to make it look like the Man of Steel is flying by and you’ll get the idea. And that might have been the best part of the plan! 

Of course, Superman himself shows up just in the nick of time to save the day, but Jimmy is disappointed in how he handled the situation and expects Superman to “call off their friendship”. It turns out Superman appreciates what Jimmy did even if it wasn’t successful. Super Duper!

image

Battle For Azeroth Dungeons in WoW Mythic Mode: Basics, Rewards, and Tips

adminUncategorized, WorkplaceLeave a Comment

Because of the spoilage and spoilage resistance, it makes no sense to rewrite the guide at all, because in two months, 15-16 keys will be able to pass almost solo. I did not think there would be so fast nerve content.

Addition Battle For Azeroth continued the development of a special PvE-mode for five players, namely the epochal dungeons, incorporating some ideas from Legion, slightly transforming their passing mechanics and putting more emphasis on team action.

As before, the epochal+ mode includes enhanced opponents and bosses compared to normal dungeons, and a timer during which you must pass the dungeon, as well as various modifiers that enhance both normal opponents and bosses:

Let’s look at everything in order. Basics The key itself, which gives access to the epochal mode, is obtained in several ways. The first is to get the key at the end of completing an epochal dungeon, the second is to get the weekly reward from a faction chest, the third is to enlist the help of another player who has one. The key, as before, there is a binding to a particular dungeon (determined randomly) and modifiers (change with every weekly update game worlds, except for the seasonal modifier). The keys themselves gain a level when passing a dungeon in a specified amount of time, and are weakened when passing, for a time that exceeds the allowable or the update of the dungeon not passed.

During the weekly update, the keys from the previous week will disappear from the inventory, and a new one will have to be obtained in the above way. Change the dungeon to which the key is attached, you can only pass it to the end, and if you update the dungeon in which the key was started before it passed, the level of the key will be reduced by 1, but the dungeon remains the same.

The conditions for passing the dungeon remain the same:
you must kill a certain number of normal opponents in the dungeon;
You must kill all the bosses of the dungeon.
Passage time requirements remain the same, as in the Legion add-on:
Each dungeon has its own completion time;

When going through a dungeon in the allotted time, the player whose key was used at the start, will improve it by 1 level, and if the group copes with the conditions of the passage and it remains more than 20% of the specified time, the key will improve by 2 levels, and if more than 40% to 3 levels. But the amount of rewards will remain the same, ie will improve only the key, but not the chest at the end of the passage;
each death of a player in a dungeon takes 5 seconds off the timer time.

Awards

Principles of rewards accrual:

By completing a dungeon and meeting the timer from the second to the tenth level of the key, players will receive three items, the level of which will correspond to the level of the key they have completed.
Passing the dungeon and not meeting the timer from the second to the tenth level of the key, players will receive two items of the corresponding level.
The reward in the faction chest also depends on the level of the closed key for the previous week (it does not matter if it is closed on time or not). The reward contains a key (one level lower than last week’s dungeon) for the following week, as well as some artifact power, titanic dust and an equipment item appropriate to your specialization.
Passing a dungeon with an epochal key above level 10, you will get a chance for an additional item in the loot – 40% for each level of the key. For example, with 10 key closed in the timer you get 3 things, and with 15 already 5, with 20 – 7 things. If you do not meet the timer, you lose one item in the chest.

If you need a wow mythic carry try out askboosters service for players who have no time for this dungeon.

General Guidelines

General guidelines for all players in epochal+ dungeons:
Ranged players and healers should stand at an average distance from their opponents almost all of the time of combat, except when mechanics require a different positioning. Most abilities are made in such a way that playing as an RDD is very dangerous and uncomfortable. If you play as such a class, you should keep a medium range, this will allow you to avoid getting hit by enemies’ abilities, but will not make the group uncomfortable either. Positioning I will recommend in the dungeon guides.

All players should try to position themselves slightly apart from each other, optimally within 6m of each other unless the mechanics require otherwise. This will help avoid accidental damage from abilities that deal area damage (mostly they work within 5m of the target).
It is the tank’s responsibility to turn all enemies away from the group, as almost every group of enemies in the dungeon has abilities that deal cone damage in front of them, and other players should watch out that some enemies may turn and use cone damage toward a random player, and avoid hitting them.

Look Inside My Head #2

adminUncategorizedLeave a Comment

Look Inside My Head 02

Top to bottom, left to right: 1) insurance poster (artist unknown), 2) illustration by Charles Aromando from Etiquette for Young Moderns by Gay Head 1954, 3) thrift store find (artist unknown), 4) Robin is Kidnapped Batman trading card #29 by Bob Powell (layout) and Norman Saunders (painting) Topps 1966 , 5) Clue board game cards, Parker Brothers, 1960.

Look Inside My Head #1

adminArtLeave a Comment

Look Inside My Head 01

Top to bottom, left to right: 1) Illustration by John Duillo, 2) Jaymar picture puzzle “Chicken Charlie” (artist unknown), 3) insurance poster (artist unknown), 4) illustration by Cliff Roberts from The First Book of Jazz by Langston Hughes, 5) Burt Ward as Robin in the 1966-68 Batman TV show.

Read it in The Comics Journal

adminUncategorizedLeave a Comment

My most recently published comic got a nice mention from Rob Clough in The Comics Journal today.

Craig Bostick’s “Guitar Bass Drums” is a brilliant short piece about three members of a band and the sexual politics of adding a new member. Each page is narrated by a different member of the band and is color-coded. Bostick’s been making great comics about musicians for years, but there’s a beautiful simplicity of structure in this piece that elevates it above past efforts.

Buy the book here.

Comic Cards Project: Day 54 • Bat-Mite

adminArt, ComicsLeave a Comment

joker 1-01

Bat-Mite was a magical imp from another dimension who claimed to be Batman’s biggest fan. He wore a suit inspired by his idol and loved to visit Gotham City to see the Caped Crusader in action. And the more action the better. If he thought Batman and Robin were succeeding too easily in their fight against crime, he used his powers to throw up some obstacles to prolong the adventure. You know, just for “fun”.

Batman didn’t appreciate this and was always threatening to spank the little pixie. In spite of all this, he didn’t intend to cause any real problems and, sometimes, his powers came in handy helping the Dynamic Duo.

Bat-Mite pestered Batman from 1959 to 1964 when an editorial change resulted in the imp (along with Bat Woman, the Bat-Hound, and the original Bat-Girl) being shown the door. FUN FACT: Bat-Mite appeared in four episodes of the Cartoon Network’s “Batman: The Brave and The Bold” in 2009-2011 and was voiced by Paul (Pee Wee Herman) Reubens!

Check out the rest of the cards in the series.

Illustrating one playing card a day using characters found between 1957-1967 in DC Comics. Tomorrow: the last post of the series—the back design!

Comic Cards Project: Day 53 • Bizarro

adminArt, ComicsLeave a Comment

joker 2-01

Far off in the outer space of comic books, existed the whacky, cube-shaped planet known as Bizarro World. Inhabiting this cockeyed world were hordes of grotesque, imperfect imitations of Superman and Lois Lane created by a defective duplicator ray. These flawed replicas had limited intelligence and appeared to be formed out of white stone. Their behavior was governed by their Bizarro Code: “Us do opposite of all earthly things! Us HATE beauty! Us love UGLINESS! Is BIG CRIME to make anything perfect on Bizarro World!”

Bizarro No. 1 was the original dim-witted duplicate and the leader of Bizarro World, where women went to the ugliness parlor and their children were punished for good grades. Bizzaro was definitely no hero, but he wasn’t really a criminal either—just an annoyance, primarily to Superman.

He and his crazy cohorts were a big part of comics of the time, even starring in their own feature in 15 issues of Adventure Comics in the early 1960s. It’s hard to imagine what inspired this peculiar concept or why it was such a big hit with readers. But looking back at the Bizzaros, they embodied the goofy spirit of the times (contrary to their silly code) perfectly.

Check out the rest of the cards in the series.

Illustrating one playing card a day using characters found between 1957-1967 in DC Comics. Tomorrow: Bat-Mite!

Comic Cards Project: Day 52 • Aquagirl

adminArt, ComicsLeave a Comment

H2 aquagirl

In 1967, Aquaman was arguably at the height of his popularity—with both his own comic and Saturday morning cartoon. The character had recently gotten married and had a baby, so it probably seemed the next logical expansion of his supporting cast was to create a love interest for his sidekick Aqualad.

Aquagirl was an orphan with a wild streak who came on strong to a lonely Aqualad. She convinced him to leave Aquaman and the underwater city of Atlantis and set out on their own. It’s a story as old as time: throw a sexy chick with a skimpy costume and an unusual hairstyle at an under-appreciated teenage boy and he’ll do whatever she wants. (By the way, the hairspray technology of Atlantis must be pretty advanced to keep her flamboyant flip in place underwater!)

Of course they ended up getting into a lot of trouble requiring Aquaman to save the day, but the kids ended up seeing the error of their ways and everyone lived happily ever after—at least until the next issue.

Aquagirl was apparently wildly popular with the readers but not much came of her. The writers of the time didn’t seem to know what to do with female characters and she often just served as babysitter for Aquaman’s son. Considering the recklessness and irresponsibility she exhibited in her first appearance, she might not have been the best choice for that job.

Check out the rest of the cards in the series.

Illustrating one playing card a day using characters found between 1957-1967 in DC Comics. Tomorrow: Bizzaro!